Considering all the images you can see everyday that express less than the best of humans . It’s nice to celebrate an extraordinary achievement with this picture of the landing pad from the Phoenix spacecraft after it successfully landed on the Polar region of Mars on Sunday. With its landing the success rate for landing on Mars is now 50%.
How’s your Memorial Weekend going? On Saturday I helped some of my hang gliding friends launch from Kamehame Ridge. You’ll find pics of that at my Smugmug site.
On my way home I stopped at Sandy Beach to visit with a friend and fly his kite. Meanwhile the participants of the DJ Johnson 3-Day Round the Island Races Sailing Regatta went by. I sailed with my father as a boy and it was impressive how close these large sail boats tacked to the shore.
The lead boat in this picture started tacking towards us a few minutes later. The boat came within one hundred yards of the shore before turning out into the channel.
Scott Eccleston at Weekly Photo tips has put together a slide show to remember those who’ve given their lives for our freedom. As your enjoying the fruits of that freedom think of those who didn’t come back and tell those still with us Thanks.
We been living with Kona trades the past few days. Bringing vog back to our neighborhood. Fortunately it hasn’t been as bad as three weeks ago. It does make for sunrise photo ops. Like this view out my back door.
I’ve been playing with the different features of my Sony A700 to understand its capabilities. I used the D-Range Optimizer for this picture. It’s a feature designed to capture more detail in shadow and high contrast situations.
This is a versatile option. Not only is there a default setting. There’s an Advanced Auto and an Advanced:Level. The level allows you to adjust how strong to make it. Plus there’s a bracketing option. You take one picture and it creates three copies of varying optimization. And there’s no lag. Well there’s nothing more high contrast than a sunrise. Except a sunset.
But for sunrises all I have to do is set my tripod on the lanai and start shooting. I’ve used ND filters, bracketing and Photoshop to tease out decent pics. Of course the biggest problem is reducing/hiding the noise in the shadows without turning the detail into mush. So much for Photoshop (just kidding Adobe).
This is a versatile option. Not only is there a default setting. There’s an Advanced Auto and an Advanced:Level. The level allows you to adjust how strong to make it. Plus there’s a bracketing option. You take one picture and it creates three copies of varying optimization. And there’s no lag.
I can’t say I’ve noticed a big difference between Level 1 and 5. This shot was used with Level 4
Aloha!
May 12th marked my one year association with the Hang Glider pilots on Oahu. I was at Makapuu Lookout taking pictures when a voice behind me asked if I’d like to take some pictures from a better spot. Turning around I saw a group of guys with hopeful looks on their faces. They were looking for someone to drive the car back down from the launch point to the landing zone. Having a driver means they can all fly.
I had a good time. Got some great pics. I’ve been helping out ever since. So far this year I’ve got over six thousand pics of them hang gliding and another 2500 of the paragliders. The number on my Smugmug site is considerably less than that.
I know what you’re probably thinking. Have I gone for a flight? WHAT!? Are you insane!? Why should I jump off a perfectly good cliff? I’ll help them do it instead.
Do you visit the beach (or the Shore as we say on the East Coast where I grew up) and focus on one element more than another?. I like to catch a wave as it washes against a rock or rocks. I’m not referring to the kinda waves generated by a storm.
Just the daily wash of waves against the shore. There’s something about catching the splash and spray created by a swell reaching the beach. Digital allows me to indulge my desire to catch that brief moment in time and really observe it. To see how the water spreads out. The tiny droplets separating from the mass hanging momentarily weightless. Before gravity and time pull it back to the sand and water that flowed around the rock.
Sometimes I’ll freeze the action with a fast shutter speed or present a more silky flow of water around the rock with a slow shutter speed.
Everytime I use my flash, which isn’t often. I’m reminded I don’t use flash enough. This happened last Thursday night at the Gordon Biersch restaurant in the Aloha Tower. A friend of mine was playing guitar for a local band called Nethermind. I took my camera to do my Rock Photographer imitation. I’ve got a 5600 HSD accessory flash. I have the tools to make good images.
Yet my flash shooting is a hit or miss proposition. Just when I think I’ve got the right settings, the camera acts like it has a mind of its own. Just when I think I’ve got it locked in. The next picture is wickedly overexposed. Such as the above picture. On the left is a decent exposure. All I did was turn to the right and the skin on the musicians is blownout worse than the white t-shirt on the left. Yikes. Program, Aperture, Shutter or Manual mode it doesn’t matter.
A neat feature of the Internet is podcasting. The variety of personalities to be found is vast. In photography there are a handful I keep track of.
One of those is by George Jardine. For the past couple of years he has produced a series of podcasts. Mixing in short tutorials of Lightroom with interviews of various Professional Photographers. I enjoy the interviews because it feels like I’m part of a group sitting around the kitchen table with my favorite beverage and some pupu’s. Some of the podcasts are just audio. Others are a combination of audio with a slideshow.
The latest release is a video podcast with Martin Evening. Martin walks through (actually he’s sitting) the results of a photo shoot for his upcoming Lightroom book. ( I shudder to think how many LR 2 books will be coming out this fall.) This kind of podcast gives me an understanding of how the photographer thinks through his/her work. I like these more than a straight instructional/how to video. I suppose this is what it’s like to go to a workshop. Something I’ve yet to do.
After you click this look for “20080310 Video Podcast - Martin Evening Fashion Shoot”
One thing we don’t lack in Hawaii is bright light. But there are exceptions. Like when the wind is coming from the south. It’s called Kona winds. Natural air pollution from the Kilauea Volcano brings a condition called Vog to the other Islands in the chain. Such has been the problem several times during April.
Kilauea’s fumes over Hawaii a concern
Here’s how it looked Yesterday on Kamehame Ridge overlooking Waimanalo.
I think the Vog got to my 7D. It’s giving me strange Apertures and Shutter speeds( 500/10,500/18,640/10). I hope it isn’t allergic?!
By the way this is how it usually looks.
Listening to a recent podcast of the Pro Photography Roundtable. One of the guys software pick was called PhotoME. If you like to shoot in the RAW (and who doesn’t?) instead of dressed in JPEG you might want to consider this free program.
PhotoME is a powerful tool to show and edit the meta data of image files. Thanks to the well organised layout and intuitive handling, it’s possible to analyse and modify Exif and IPTC-NAA data as well as analyse ICC profiles - and it’s completely FREE!
After I got my Maxxum 7D I found that ACR read the MRW files just fine but for some reason it wouldn’t show what lens I used. Fortunately I found ExifTool by Phil Harvey. A command line utility that does a whole lot of good stuff for those of us who want to extract info from image files. For me it meant I could create XMP sidecar files with the lens info. I’ve been a happy camper ever since.
While ExifTool is a command line utility. PhotoMe present the information in a nice tabbed GUI layout. After I found ExifTool I didn’t bother to see if there was another Da Kine. It’s nice to see other good programmers are out there creating tools for the rest of us! If you know about other similar tools out there leave a comment.
